Anyone that follows me on social media will have noticed by now that I have been singing the praises of a new camera I have invested in recently, the mirrorless Canon EOS R5.
I thought I ought to post something on here to try to convey my thoughts of it, and the reasons why I have gone for it, instead of perhaps the more logicial route of upgrading to another pro-body D-SLR.
Prior to buying the R5 my main camera of choice was the 1DX, and it has been brilliant for the last few years. Since buying that, I've rarely used my newer 7D mk2, finding the focusing and image quality of the full-frame sensor camera better (in my opinion) than that of the cropped one. Admittedly since buying the 100-400mm mk2 I have started to use the 7D2 again, as the combination works really well, but 9 times out of 10, the 1DX is first out of the bag.
But a frustration of that camera is the sound of it.
Some of my favourite subjects for photography are sensitive to sounds. Otters and owls, for example, will often disappear if they hear something they don't like, and the 1DX, even on silent mode is clattery. And on such a mode, I'm limited to one-shot per press. So I miss action frequently, even though my finger can press the shutter release button a few times per second. I know the mk2 version has a multi-shot silent mode, but it's not silent, not even close.
Recently when watching a barn owl in late winter, it was painfully obvious the owl had heard the camera fire, and flew away pretty rapidly. Very annoying after a long, cold wait in the snow.
Late last year (2019) I had been eyeing up the new Canon 1DX mk 3. I had read that it was the "best mirrored, non-mirrorless" camera to hit the market, and I was keen to see what it might offer to someone interested in a quieter life. Unfortunately the "mirrorless" electronic shutter mode it offers is only available when viewing the LCD on the back of the camera, and that simply isn't an option for me most of the time. A combination of reflections and my poor eyesight (close up) would make using this virtually impossible to use.
I have to say that I had been looking at switching over to Sony, as there is an adapter that allows these bodies to be used with Canon lenses. But I'd need to eventually swap over all my lenses, and that would be expensive... But then I caught the scent of the Canon R5.
My first impression of the camera came when a friend visited the little owl site with one he'd received before my order had arrived, and despite him never attempting to photograph little owls before, or indeed many fast moving birds, he nailed some incredible shots of the owls as they scuttled over the barn roof. He'd been using the "animal eye" auto-focus tracking, and that whet my appetite for trying mine.
A few days later, and after an agonising wait for the battery to charge, I was watching the owls, ready to try the new camera out.
All I can say for that, and many sessions since, is "wow".
The animal eye AF tracking is absurdly good. I have the camera set up so one of the back buttons operates the normal single or multi-point focus mode (depending on what I have active at the time) and another is preset for activating the animal eye detection and tracking mode. It works a treat.
To try to put some context on to this, compared to my older cameras:
When the owls run across the barn roof, they're quick and "bouncy". Tracking them is difficult even for me, when I've seen it done probably thousands of times. Out of 20 shots taken of a sequence, on a bad day I might not get any, or if I'm on the ball, I might nail 3 or 4 images.
The R5 often nails between 15 and 20 such images. It is mind-blowingly good. So much so, that now I am surprised when it doesn't lock on and get a sharp shot.
I'm sure some of you reading this will be thinking, "hang on a mo Pete, you've nailed loads of sharp flight shots of the little owls over the years so why is the R5 so special in this respect?", and you'd be right to ask.
Using my older mirrored cameras, to get a flight shot I would use a set-up similar to that used for the jumping red squirrels. I would place or find a suitable marker to focus on along where I hoped the owl would fly, pre-focus on it, and then more often than not, watch the action with my head away from the camera, and burst off some shots when the owl took flight. If I got lucky and timed the shot right, didn't move and the owl flew through the right area, I might get a shot. But mostly I'd fail to get anything. Thank goodness I wasn't using film!
The R5 changes all of this.
Simply put, it tracks the eye or head of the owl as it flies. As long as it doesn't get confused along the way, and I can keep the owl in the right place in the viewfinder, then it generally nails the shots. So now, when the owl flies from the barn roof to one of the perches, instead of perhaps getting one decent image from a dozen attempts (and by that I mean a dozen flights, and hundreds of images taken), I am usually getting several images of each flight.
It's not perfect, and sometimes focuses on the wing or the technology is fooled by the background. For example, one day recently it kept identifying a bird dropping on the barn roof as the "eye" and ignoring the owl perched next to it.
But overall, for the running images my hit rate is probably around 80% now, and for the flight shots, over 50%, which is remarkable. I'm leaving a session with the owls, with more flight shots from a couple of hours than I'd achieve in the whole of a month, using the older gear.
And another benefit comes when the owls are perched, and looking left or right. You know the issue... you've set the shot up, moved the focus point over to the owl's eye as it's looking in one direction, so there's room in the shot for where it's looking, and it turns its head the other way. With the eye tracking, I can simply drag the owl across the frame so it's looking into the empty space, without having to touch or move any focal points.
The camera has 3 shutter modes. I've been using the electronic one the most, as it is totally silent and offers 20 frames per second. There is a mechanical shutter too, that can manage 12fps and is there for when I might use the camera on subjects that are moving very quickly (and I might see the dreaded "rolling shutter" effect) such as a helicopter's rotor blades, or if I'm shooting indoors under artificial lighting, when banding can be seen on images.
I hardly ever shoot such subjects or anything much indoors.
I've not been able to try the camera out on barn owls yet or otters, though hopefully that'll change soon, when I can get back to the west coast of Scotland. But the thought of engaging the R5's incredible focusing system on these subjects, and being silent with it, and capturing 20fps is a wonderful prospect.
Along with the R5 came the sibling, the R6. Also a mirrorless camera, but cheaper to buy. So why did I stump up for the more expensive one?
The idea of a 45MP sensor definitely appealed to me more than the cheaper camera's 20 odd MP count. I know the R6 has a slightly better ISO range than the R5 and also features slightly more "focus zones". But the R5 has plenty from what I have seen, and a significantly higher number than the 1DX3 for example.
The R5 also has a more weather-proofed body, which for me, when out photographing otters and hares in unpleasant conditions should be a help.
The 8K video option on the R5 isn't something I'm interested in right now, but to have it there already is a bonus, and I'm sure at some point I'll have a play with it, maybe with otters for example, when the light is just too dire for stills, and a video might work better... and because it's 8K, I can extract frames from such a clip, and get a very decent quality still image.
The battery life of the R5 isn't anywhere near that of the 1DX, and from all accounts, the 1DX3 is even better than that old workhorse. But the figures stated on Canon's own site for shot counts from a single charge are nothing like what I have seen.
It is said that a full charge can see between 310 and 490 shots depending on outside temperature and whether the viewfinder or the LCD is being used.
I've taken over a thousand images, using a mix of the electronic and mechanical shutter, and the battery has shown around 70% remaining.
But, and there is a "but" here. You have to get used to switching the camera off when you're not using it, and I have the viewfinder so it times out very quickly, to save power. You're not looking at a mirror anymore, that can show you what the camera is pointing at when nothing is powered. You're looking at an OLED viewfinder and that is using power whenever it's on. A downside of a mirrorless system.
As for overheating, I've read on some reviews (admittedly with the original firmware) that people have had the camera overheat after taking 300 images. Well, I've taken hundreds of images (with the latest firmware), and the camera hasn't even become tepid. Maybe it'd overheat when recording minutes of 8K footage, but I'm unlikely to do that too often. The file sizes of the 4K videos are large enough, let alone dealing with twice that.
Which leads to another cool feature with the R5. A 45MP sensor is going to yield large RAW files, so my hard drives will be filled up rapidly with the new images. Or so I thought until I read about CRAW. This is a compressed version of the RAW file, and sees image files no larger than those from my older cameras. And the magic of this format is that the loss of data, and there must be quite a lot of it somewhere, doesn't seem to affect the image quality of the files.
I've seen a clip on YouTube where the user has deliberately under-exposed an image by several stops, and then brightened it up, to compare the CRAW file with the full-fat RAW file, and it's only here that the tiniest loss of detail can be seen.
But as the viewfinder on the R5 shows you what you're taking (most of the time, see below), and doesn't rely on the user's knowledge and experience of watching the metering on each shot, you're unlikely to ever find yourself under-exposing a shot by that much.
So far I have seen two issues with the camera.
Firstly the IBIS (In-Body Image Stabilisation) sometimes conflicts with that in the lens attached, and can make the image drift and bounce. I've found that switching the camera off and on again solves this. But I've heard other people mention issues with the lens IS too.
I am of course only using EF lenses via the adapter, not the proper RF lenses on the camera.
Secondly the viewfinder image brightens the scene up when looking at subjects in very low light.
I wanted to see how the camera would handle higher ISO levels, so when a fox decided to visit the garden at dusk recently, I thought I'd have a play. I rarely push the 1DX above ISO 3200, so I wanted to see what I could get away with on the R5.
Whilst testing, I did the cardinal sin of not reviewing the images, assuming what I was seeing on the viewfinder was what I'd be getting.
Not so. In normal light, it's bang on, but here it had brightened the image up, and my shots all came out rather dark.
Even so, that meant I could test what detail I could yield from under-exposed images at high ISO levels, and I was impressed. The fox images here are at ISO levels of up to 16,000. I'd not get any detail back from that setting on the 1DX, and the 7D2 would look like I'd created a mosaic! To process these images, I've used Lightroom, then PhotoShop and also Neat Image to control the noise, as a plug-in.
I am tempted to buy the battery grip. More for the ergonomics of the camera, after using the 1DX for years, I am finding the R5 a little small in my hand. Plus the additional battery within it might be helpful when out for a long session, or if I can't get to a power supply for a day or so.
The RF lenses are also appealing, especially the 100-500mm zoom, which is apparently lighter in weight than the 100-400mm. Having that bit more reach for say otter photography, but without the weight of the 500mm prime might be very useful.
And the IBIS opens up another avenue to me. I haven't got the steadiest hands, which is why I went for the 100-400mm zoom back in 2006, instead of the 400mm prime, as the zoom had IS.
Now that the camera body itself has IBIS, it means I can try out some lenses that were only ever going to be tripod-mounted before, in particular the wonderful macro MP-E 65mm Canon lens. Having learned how to do image stacking during lockdown, I've hankered for a lens revealing more detail on the invertebrates and other tiny subjects I've attempted to photograph to date.
I believe mirrorless cameras are the way forward. I reckon Canon will develop a version of the 1DX but with a mirrorless system inside as their next flagship professional body, so to be already immersing myself in this new world is surely a benefit to me. I may well take the plunge with such a professional body when it arrives, but for now, the R5 is more than enough to keep me happy.